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Better Call Saul-Narcos-Bloodline-Get Down

Better Call Saul, Narcos, Bloodline, The Get Down SFX

In the modern era, the lines between music, sound design, and sound effects can sometimes get increasingly blurred, and I’ve increasingly found that while working on one aspect of a project, it’s necessary to create elements that straddle the fence between the disciplines. I’m proud to have worked on sound design for some amazing shows: Better Call Saul (AMC/Sony), Narcos, Bloodline, and The Get Down (all Netflix).

About the Shows

Better Call Saul: The trials and tribulations of criminal lawyer, Jimmy McGill, in the time leading up to establishing his strip-mall law office in Albuquerque, New Mexico.

Narcos: A chronicled look at the criminal exploits of Colombian drug lord Pablo Escobar, as well as the many other drug kingpins who plagued the country through the years.

Bloodline: A family finds themselves forced to face their past secrets and scars when the black sheep returns home.

The Get Down: A ragtag group of teenagers run wild in the streets of the Bronx in the late 1970s.

2 weeks ago
Spending the day at the @xperienceif Infinity Festival thinking about technology. Amazing to see the leading edge of future progress. https://t.co/hqQrDQXRtS daviddas photo
2 weeks ago
Devotional for today from Leonard Bernstein. https://t.co/u0E3LTO8Rx daviddas photo
2 weeks ago
I woke up listening to #Sinatra and now every song that enters my head is arranged by Nelson Riddle. (This isn't a bad thing.) https://t.co/ismmOgNbjr
2 weeks ago
Getting ready to present tonight at the #goldenangel awards for the 15th annual Chinese American Film Festival. https://t.co/vfqdM7nevT daviddas photo
2 weeks ago
Thunderbolt vs. USB 3.1 for Kontakt sample streaming: has anyone benchmarked it or compared in real-world situations? (Yes I know TB3 is far faster, but does it matter?)
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