Better Call Saul, Narcos, Bloodline, The Get Down SFX
In the modern era, the lines between music, sound design, and sound effects can sometimes get increasingly blurred, and I’ve increasingly found that while working on one aspect of a project, it’s necessary to create elements that straddle the fence between the disciplines. I’m proud to have worked on sound design for some amazing shows: Better Call Saul (AMC/Sony), Narcos, Bloodline, and The Get Down (all Netflix).
About the Shows
Better Call Saul: The trials and tribulations of criminal lawyer, Jimmy McGill, in the time leading up to establishing his strip-mall law office in Albuquerque, New Mexico.
Narcos: A chronicled look at the criminal exploits of Colombian drug lord Pablo Escobar, as well as the many other drug kingpins who plagued the country through the years.
Bloodline: A family finds themselves forced to face their past secrets and scars when the black sheep returns home.
The Get Down: A ragtag group of teenagers run wild in the streets of the Bronx in the late 1970s.
Don’t ever miss a chance to see @awintory and his innovative creations.
Tonight…Alexandre Desplat and Malcolm Washington talking about @netflix #ThePianoLesson courtesy of the premier composer organization, @The_SCL
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In addition to my big news today, some tremendous achievements to my composer colleagues in the other visual media categories:
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